Named in 2016 to Filmmaker magazine’s annual “25 New Faces of Independent Film,” artistic and life partners Sherng-Lee Huang and Livia Ungur are at the forefront of the doc/fiction revolution. As I wrote last summer, their Berlinale-premiering, debut feature Hotel Dallas “tells the true story of how the soapy series Dallas — the only American program allowed to be aired in Romania because the authorities believed it a cautionary tale about the evil capitalist West — became must-watch TV that influenced an entire generation. It also tells the fuzzier tale of how Livia, who fell in love with Patrick “Bobby Ewing” Duffy as a youngster, and her father Ilie, who fancied himself a wheeler-dealer like J.R., pursued their Dallas dreams after the fall of the regime. While Ilie built Hotel Dallas (a Southfork replica and a means to embezzle millions in taxes), Livia left for America, only returning years later to revisit her adolescent obsession through the prism of the “new” — although ’80s-inspired — Romania. (And yes, Duffy actually agreed to be in the film, compensated with only a bottle of wine.)”
And after you wrap your head around that whopper of a synopsis, read on to learn more. I spoke with the counterintuitively down-to-earth couple before the film’s Vimeo/Amazon/Google/Fandor streaming debut.